It was populated exclusively by Neagu using aliases such as "Hunsy Belmood" and "Edward Larsocchi." In 1972 Neagu gave a lecture titled 'Generative Art Forms' at the Queen's University, Belfast Festival. In 1972 the Romanian-born Paul Neagu created the Generative Art Group in Britain. Thus defined, generative art was practised by the Argentinian artists Eduardo McEntyre and Miguel Ángel Vidal in the late 1960s. The term has also been used to describe geometric abstract art where simple elements are repeated, transformed, or varied to generate more complex forms. The term "Generative Art" with the meaning of dynamic artwork-systems able to generate multiple artwork-events was clearly used the first time for the "Generative Art" conference in Milan in 1998. Molnar is widely considered to be a pioneer of generative art, and is also one of the first women to use computers in her art practice. Vera Molnár (born 1924) is a French media artist of Hungarian origin. "Generative art" and related terms was in common use by several other early computer artists around this time, including Manfred Mohr. The correct title of the first exhibition and catalog was "computer-grafik". While Nees does not himself remember, this was the title of his doctoral thesis published a few years later. The first such exhibition showed the work of Nees in February 1965, which some claim was titled "Generative Computergrafik".
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The terms "generative art" and "computer art" have been used in tandem, and more or less interchangeably, since the very earliest days. Margaret Boden and Ernest Edmonds have noted the use of the term "generative art" in the broad context of automated computer graphics in the 1960s, beginning with artwork exhibited by Georg Nees and Frieder Nake in 1965:
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The use of autonomous systems, required by some contemporary definitions, focuses a generative approach where the controls are strongly reduced. The use of " Artificial DNA" defines a generative approach to art focused on the construction of a system able to generate unpredictable events, all with a recognizable common character. The use of the word "generative" in the discussion of art has developed over time.